'We’re riddled with pointless talk, insane quantities of words and images. Stupidity is never blind or mute. So it’s not a problem of getting people to express themselves but of providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people expressing themselves but rather force them to express themselves; what a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, and ever rarer, thing that might be worth saying.’

                                                        -  Gilles Deleuze, Negotiations, 1972-1990

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In Logan's work, the usage of wax, ceramics, ferric chloride, and found objects are stimuli to communicate motifs of biomorphism and how we heal and repair through states of vitality. By acting within a studio and print shop, Logan is able to develop routines. Through daily work, the states in which he’s making allow them to be in a process of mending their physical pain and suffering. Drawing is the foundation for his practice. Symbols of the forest, animal myths, and ideas of warmth communicate the vulnerability that a masculine body interacts within.